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Ziggy incorporates many of the Buchla innovations that have long been taken for granted: digital control over the analog audio, additive synthesis, unique and musical interactions, and the focus on making an “instrument” rather than a “synthesizer.”\u003c\/p\u003e\u003cp\u003eZiggy modernizes and simplifies a familiar Buchla tradition: composing music in a style of synthesis often associated with the western coast of America. Like any musical instrument, it can be played on its own, crafting sequences and sounds from its unique arrangement of controls. It pairs very nicely with a portable keyboard like the Buchla LEM 218, but It also plays with a large range of third-party devices and DAWs through MIDI, USB, and 1v\/octave CV.\u003c\/p\u003e\u003cp\u003eElectronically, Ziggy’s oscillators and low-pass gate are purely analog. Digital control over these elements gives Ziggy the ability to save programs at the touch of a button and modulate in creative ways. A digital effects unit gives shape to the final sound, with a selection of reverbs, delays, distortions, and more.\u003c\/p\u003e\u003cp\u003eThere are a number of unique ways to shape your sounds internally and externally. The Cycler is an original modulation source that acts like the combination of a clock, envelope generator, LFO and random generator. With it, you can modulate pitch and timbre and\/or trigger the gate envelopes. Other modulation sources include an “extra” slow LFO and external MIDI control.  Rather than using cumbersome patchcords, modulation is assigned with switch selection and dialed in with the encoder or its own associated sliders.The modulation oscillator acts as the primary modulation source at low frequency or audio rates to modulate the Complex Oscillator with AM or FM modulation, and is often blended as a second sound source. The Envelope for the Low Pass Gate (a combination amplifier\/filter) can be shaped by selecting common envelopes and manipulated in time and amount, rather than attack, decay, sustain, release.\u003c\/p\u003e\u003cp\u003eCreatively, it is easy to quickly make music and design sounds with Ziggy. Assigning modulation to different parameters is made with simple gestures of holding buttons and moving sliders. Surprise is certain, with a source of  “uncertainty” available for the Cycler’s attributes. Sounds are easily saved with the simple preset system. Glowing LEDs indicate assignments and modulations. Its unique analog sounds are sure to delight and entertain. Special chaotic modulators can be accessed from the menus, driving the sounds in unusual ways. Scales and alternate tunings expand your musical universe while pitch sliders can be quantized to scales to make them melodically playable\u003c\/p\u003e\u003cp\u003eMusically, Ziggy is versatile. With two analog oscillators, multiple modulators, a variety of tunings, envelopes, and wavefolding and shaping, there’s a variety of sounds to be made. While Buchla is often associated with the purely experimental, there’s strange strings, wonderful drums, exotic leads, plucky percussions, and deeply felt basses that can be synthesized from Ziggy.\u003c\/p\u003e\u003cp\u003ePractically, Ziggy fits well in a small studio. The patchcord-free design, simple USB-C power, and comprehensive MIDI control makes it easy to add to your kit; its handsome, durable enclosure of oak and steel with classic Buchla style makes it belong. Configure the device through its simple menus or using a web browser and the web app.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFully analog Complex and Modulation oscillators. The Modulation oscillator can operate at low frequency or audible rates. 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After creating a monumental shift in the sound of music, the “808” has continued to shape and define entire genres. Beloved by musicians and producers the world over, it’s one of the most revered and sought-after electronic musical instruments of all time. The TR-08 brings the look, sound, and feel of the original 808—with stunning accuracy—to the Roland Boutique format. 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Title","offer_id":45479772258413,"sku":"TR-08-UKT","price":60.3,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0723\/2713\/5341\/files\/nsov8ozhcf43_b7fac69f-7fe3-40a4-b31d-35f258e5e613.jpg?v=1784522156"},{"product_id":"muse-kinetics-softstep-3-midi-foot-controller-mvydoh","title":"Muse Kinetics SoftStep 3 MIDI Foot Controller","description":"\u003cb\u003eThis item is in excellent working condition and barely used.\u003c\/b\u003e\u003cbr\u003e\u003cp\u003eSoftStep3 is the latest MIDI foot controller pedal from Muse Kinetics. 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The new generation of the famous Moog ladder filter delivers multi-mode filtering and “Res Bass” bass compensation that make it the fattest and most flexible Moog ever when combined with new analog oscillators that include wavefolding and waveshapable sub oscillator.\u003c\/p\u003e\u003cp\u003eTimeless and Intuitive\u003cbr\u003eMessenger builds on the DNA of Moog’s most iconic and prolific monosynths—Minimoog Model D, Voyager, Grandmother, Subsequent 37—and puts a new spin on a familiar format with innovative circuits and timeless analog sound.\u003c\/p\u003e\u003cp\u003eA Legend Reborn\u003cbr\u003eThe legendary Moog transistor ladder filter gets some new tricks up its sleeve. A unique pole-mixing design allows the ladder filter to preserve bass frequencies as resonance is increased via the RES BASS switch while keeping its sonic legacy intact. Low-pass mode adds a 2-pole filter slope in addition to the classic Moog 4-pole low-pass filter slope.\u003c\/p\u003e\u003cp\u003eInspiration at Your Fingertips\u003cbr\u003e32 full-size semi-weighted keys with velocity and aftertouch, a robust metal panel, 256 presets, and knob-per-function controls mean Messenger is endlessly playable and ready to bring to your next gig.\u003c\/p\u003e\u003cp\u003eCompositional Powerhouse\u003cbr\u003eEffortlessly record sequences of up to 64 steps, integrate chance operations, and introduce random fluctuations and parameter recording. 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The 3-track sequencer records both note and macro automation, and the arpeggiator features a new Entropy function for advanced realtime note manipulation. Single mode allows for all 16 voices to be active per patch, and Multi mode allocates the voices into two parts of 8 voices each, where layers or splits are easily set up. The free ASM Patch Manager for Mac and PC enables easy firmware updating and patch management. 512 Single mode and 256 Multi mode patches are included in the factory presets, all created by world-class sound designers. A total of 1024 patch locations for Single mode and 640 patch locations for Multi mode are available. Oscillator configurations include Phase Modulation, Frequency Modulation, Pulse Width Modulation, HTE Sync, and three types of Phase Distortion. Each of the 8 oscillators has its own volume envelope, in addition to the shared 5 envelopes and 5 LFOs, all freely routable in the powerful 32-slot modulation matrix. 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DMNO merges UDO’s championed hybrid sound with a cutting-edge, playful, and performative control architecture. Eight-voice polyphony, dual hybrid binaural synth-engines, and the entirely new per-voice Dynamic Multi-Core Stereo Filter system deliver a deep sonic palette — from extreme, overdriven textural scenes to rich, organic analog warmth. Each engine features its own dedicated control set, encouraging immediate exploration and powerful play.\u003c\/p\u003e\u003cp\u003eAt the heart of DMNO is the Play Modes system. Instantly reconfigure the internal architecture at the touch of a single control with eight carefully curated modes that redefine how the two timbres interact — with traditional splits and layers sitting alongside novel, creative, and unexpected configurations. Complementing this versatility is a suite of flexible connectivity options, including an analog audio input with preamplifier, gate generator, and envelope follower, CV\/Gate connections for the analog realm, and a 24-bit USB class-compliant digital audio interface.\u003c\/p\u003e\u003cp\u003eWhile the core UDO sound stands confidently on its own, DMNO also includes a high- resolution digital eSects engine. Delay, reverb, EQ, distortion, chorus — each eSect has been meticulously crafted, capable of subtle to extreme tones that are always musical, never abrasive (unless you want them to be). All of this is controlled via the best screen we could find: a beautifully sharp, yet somehow warm and organic, high-contrast electroluminescent glass vacuum fluorescent display (VFD).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eStack Up. Knock Down.\u003c\/strong\u003e\u003cbr\u003eThe two fully-featured independent synthesizers (DMNO 1 \u0026amp; 2) take centre stage, each with its own dedicated set of front panel controls. Both DMNOs are driven by two ultra high sample rate, high resolution FPGA-powered digital oscillators, each routed through an exceptionally powerful and versatile stereo analog filter (read on for more on the filters).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePlay Modes: Change Your Game\u003c\/strong\u003e\u003cbr\u003eDMNO features eight user-selectable Play Modes that redefine how its two independent synth engines interact, ranging from classic splits and layers to dynamic, creative, and unexpected routings. With the touch of a single control, voices and timbres can be stacked or divided, letting Play Modes instantly transform the instrument’s behaviour — unlocking new sounds, new interactions, and entirely happy accidents.\u003c\/p\u003e\u003col\u003e\n\u003cli\u003eSingle: Play only selected DMNO.\u003c\/li\u003e\n\u003cli\u003eDual: Play both DMNOs simultaneously.\u003c\/li\u003e\n\u003cli\u003eSplit: Split the keyboard into DMNOs 1\u0026amp;2.\u003c\/li\u003e\n\u003cli\u003eOne-Two: First key press is DMNO 1, following are DMNO 2.\u003c\/li\u003e\n\u003cli\u003eCycle: Alternate between DMNOs 1\u0026amp;2.\u003c\/li\u003e\n\u003cli\u003eRandom: Random DMNO 1\/2.\u003c\/li\u003e\n\u003cli\u003eChaos: Random DMNO and curated note randomisation.\u003c\/li\u003e\n\u003cli\u003eSeries: DMNO 1 audio output is used as a complex oscillator and routed into the DMNO2 oscillator mixer.\u003cbr\u003eOur Most Flexible Filter(s) Yet\u003c\/li\u003e\n\u003c\/ol\u003e\u003cp\u003eDMNO’s twin Dynamic Multi-Core Stereo filters are uniquely powerful and flexible. Utilizing a novel, reconfigurable voltage-controlled topology, it has a beautiful warm sound and comprehensive configuration options. The filter pairs can be configured in series, parallel, or stereo, with each configuration oSering a wealth of filter modes — ranging from classic, recognizable shapes to bold, experimental options — all while maintaining a deeply musical character.\u003cbr\u003eConnect Completely\u003c\/p\u003e\u003cp\u003eDMNO integrates seamlessly into any setup, thanks to a comprehensive and meticulously designed suite of studio connectivity capabilities. Built-in USB audio interface functionality enables direct 2-in 2-out connection to your computer or DAW, whilst the flexible audio I\/O options include creative features such as an external audio input with variable-gain preamplifier, gate generator and envelope-follower integrated into the mod matrix.\u003cbr\u003e  \u003cbr\u003e\u003cstrong\u003eSee Everything, Crystal Clear\u003c\/strong\u003e\u003cbr\u003eDMNO’s display puts everything at your fingertips, from patch and performance management to instrument voicing, filter exploration, eSects controls, and a powerful sequencer. Every parameter is exactly where you need it — no deep menus, no digging. All presented on the best screen we could get our hands on: a beautifully high-contrast, long lasting, electroluminescent glass vacuum fluorescent display (VFD) with an ultra- wide viewing angle.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePlay Seriously\u003c\/strong\u003e\u003cbr\u003eAll these features come together to form an instrument more than the sum of its parts — one that fully embodies, and elevates, the UDO ethos: ‘The Power of Play’. Where the Super Series synths knock politely and enter with elegance, DMNO kicks the door down. It is unapologetically bold, deeply expressive, and (most importantly) immensely fun. Lose yourself in the world of DMNO, with it’s no-compromise build quality and components, creative connectivity options, and an unparalleled hybrid architecture capable of delivering subtle warmth alongside extreme tones that always remain musical.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003e“Explainers”\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFPGA Digital Oscillators\u003c\/strong\u003e\u003cbr\u003eDMNO leverages the power of ultra high sample rate, high resolution FPGA digital oscillators for a direct and alias-free sound source. This cutting-edge technology combined with archetypal analog components and sound sources provides a rich and flexible sonic canvas that can be sculpted for warm basses, expansive pads,\u003cbr\u003eand sparkling leads.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBinaural Signal Path\u003c\/strong\u003e\u003cbr\u003eBinaural refers to the twin synthesizer signal paths. In Binaural mode, each channel (ear) has an individual dedicated synthesizer voice. You can detune and de-phase the left and right oscillators, amplitude and filter (and indeed other parameters) relative to each-other. Ranging from subtle to extreme, this unique feature allows for experimenting with the 'width' of the sound and creates an improved sense of 3D positioning. It has in this sense one “super voice” for every two “conventional” voices.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2-Part Multitimbral\u003c\/strong\u003e\u003cbr\u003eMultitimbral refers to a synthesizer's ability to play two or more diSerent sounds (or timbres) simultaneously. This means you can split the keyboard to play one sound on the left and another on the right, or layer two sounds together for a richer, more complex tone. 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