{"title":"flash-sale","description":null,"products":[{"product_id":"rickenbacker-parts-switch-toggle-standard-3-position-s78mav","title":"Rickenbacker Parts Switch Toggle Standard 3-Position","description":"\u003cp\u003eRickenbacker Parts Switch Toggle Standard 3-Position\u003c\/p\u003e","brand":"Rickenbacker","offers":[{"title":"Default Title","offer_id":45479345225837,"sku":"RIC08834","price":5.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0723\/2713\/5341\/files\/u2dz9lui37g9_e9becc65-87a8-4747-aa02-deaafd4d3b01.jpg?v=1784515906"},{"product_id":"earthquaker-devices-scrolls-bass-odyssey-pedal-bxxiky","title":"Earthquaker Devices Scrolls Bass Odyssey Pedal","description":"\u003cp\u003eWelcome to the Scrolls® Bass Odyssey from the EarthQuaker Devices® family of sonic solutions! Scrolls was designed in partnership with Japan’s one and only master of bass tone—Kentaro Nakao! Scrolls is a powerful, modern tool capable of shaping the organic input signal of any bass to match the sonic profile of virtually any bass\/amp combination you can think of. Want the precise sound of a California-born bass rocketing through a flip top amp with a 15\" speaker? Scrolls has got you covered. Want the sting of an active bass punching its way through a solid state full-stack? Scrolls has got you covered. Want the sound of...you get the idea.\u003c\/p\u003e\u003cp\u003eOn the right side of Scrolls, you’ll find a Drive section featuring a versatile, tube amp-like distortion. Key amongst the Drive section features are the Blend knob, which enables you to adjust the amount of clean signal present in the overdriven signal, and the position of the Bandwidth knob determines where the clipping is most prevalent—lower frequencies counterclockwise and higher frequencies clockwise. Together, the Blend and Bandwidth knob can be adjusted to ensure the low-end response remains wide, deep, and full when using the Drive section.\u003c\/p\u003e\u003cp\u003eThe left side of Scrolls features a full suite of active EQ controls including audiophile-quality Bass, Middle, and Treble controls. The secret weapon of Scrolls' EQ section is the Variable Frequency control with the ability to cut\/boost frequencies from around 20 Hz to 10 kHz—making it the perfect tool for cutting out the mud and boosting the high-end. Within the EQ section, you’ll find three push button switches that serve as potent assets for one-click tone sculpting.\u003c\/p\u003e\u003cp\u003eThe buffered Parallel Out enables you to send a clean signal out to an external destination. Internally, the\u003cbr\u003esignal comes first in the chain and runs into the EQ . Between the lives an Effects Loop, enables you to keep your modulation effects positioned after the while retaining the ability to apply all the tone-shaping capabilities of the section in your chain, section at the end of your chain. \u003c\/p\u003e\u003cp\u003eScrolls can be routed directly to your bass amp via the 1⁄4\" output, or you can use the balanced XLR out to run Scrolls directly to the front of house for an ampless show or straight into your recording interface for ampless recording. The XLR out features a splash of analog filtering to make it sound more like a speaker cabinet in amp-free scenarios.\u003c\/p\u003e\u003cp\u003eEach and every Scrolls is all-analog, true bypass, and built one-at-a-time by credentialed professionals at\u003cbr\u003ethe EarthQuaker Devices Tone Wellness Clinic under the malt gray skies of Akron, Ohio.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrive Footswitch\u003c\/strong\u003e: Activates the Drive channel EQ Footswitch: Activates the EQ channel Drive Controls:\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel\u003c\/strong\u003e: Output volume control for the Drive channel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlend\u003c\/strong\u003e: Blends between your clean signal with the Drive signal. Turn the knob fully clockwise for maximum crunchiness.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrive\u003c\/strong\u003e: Controls the intensity of the overdrive.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBandwidth\u003c\/strong\u003e: Determines where the clipping is most active. Turn the control counterclockwise to activate low-end clipping for a warmer, softer, rounded, and overall more subdued tone. Turn the control clockwise and activate High-end clipping for a present, focused crunch with a tighter low-end.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTone\u003c\/strong\u003e: Low pass filter enabling you to shape the frequency of the Drive channel. Turn counterclockwise to reduce highs.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eEQ Controls\u003c\/strong\u003e:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel\u003c\/strong\u003e: Output volume control when the EQ controls are active. Set the knob at noon for unity, turn clockwise to boost the output signal, turn counterclockwise to cut the output signal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVari\u003c\/strong\u003e: Boosts or cuts the Variable Frequency control. Position this control at noon for unity (marked with a center detent in the potentiometer.) Turn clockwise from noon to boost the Vari-Freq, or counterclockwise to cut.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVari-Freq\u003c\/strong\u003e: Variable frequency control for fine-tuning your tone. Adjustable from approximately 20 Hz to 10 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTreble\u003c\/strong\u003e: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBass\u003c\/strong\u003e: The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMiddle\u003c\/strong\u003e: The center position is flat and marked with a center detent in the potentiometer. 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Born from Gibson’s late-’50s evolution of the Junior and Special, the double-cutaway design unlocked a new kind of access and attitude, but it was the 1960 refinement—the slimmer neck profile, the more balanced pickup placement, the stripped-down honesty—that turned it into something players never stopped chasing.\r\n\r\nThe Epiphone Inspired by Gibson 1960 Les Paul Special Double Cut channels the spirit of a working musician’s instrument, built for stages, basements, and everything in between. At its core are a pair of raw, vocal, and slightly underwound P-90 pickups. The volume controls give you direct command over how hard you’re pushing the amp, allowing you to dial things back for a cleaner, more controlled tone or open everything up for the full, unrestrained character of a classic P-90. From clean, articulate tones to a gritty, driven breakup, the 1960 Les Paul Special is defined by its midrange focus and natural harmonic complexity. It responds quickly to touch and gain, offering a straightforward, expressive voice that sits right at the edge of saturation when pushed.\r\n\r\nThe slim taper neck profile keeps things fast and unencumbered, echoing the same design philosophy that made the original 1960 models feel like a quiet revolution in the hands of players who needed speed without sacrificing soul. Combined with the double-cutaway design, upper fret access feels effortless—like the guitar is getting out of its own way so you can stay in the moment longer.\r\n\r\nWhat you get is the essence of the 1960 Les Paul Special distilled: two pickups, one slab of mahogany attitude, and a direct line to one of the most influential electric guitar designs ever made. Plug it in, turn it up, and it doesn’t just recall history—it feels like it never left.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eEpiphone IGC 1960 Les Paul Special Double Cut (CME Exclusive) Series\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe Epiphone Inspired by Gibson series is exactly what it sounds like: a direct line back to some of the most important electric guitars ever made, but built for the way people actually play today.\r\n\r\nThese instruments take their cues from Gibson’s most iconic designs—Les Pauls, SGs, ES models—and focus on the details that matter in your hands: the feel of the neck, the weight of the body, the way the pickups respond when you dig in or pull back. Epiphone has really tightened the gap here, so you’re getting a level of build quality and authenticity that wasn’t really on the table at this price point a decade ago.\r\n\r\nWhat stands out most is how familiar they feel right away. No learning curve, no “adjusting to the instrument” period—just a guitar that already knows the vocabulary. 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Three effects all contained across one knob. A tribute to an unknown pioneer who deserved to be famous.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAn octave fuzz topology that has never been replicated for production — until now\u003c\/li\u003e\n\u003cli\u003eOne knob sweeps through three distinct effects: swell, fuzz, and octave\u003c\/li\u003e\n\u003cli\u003eExceptional touch sensitivity and volume-knob cleanup — rare for any fuzz, unheard of in an octave fuzz\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eEvery octave fuzz you've ever played traces back to just a handful of circuits: the Octavia, the Super Fuzz, and the Tone Machine. The Coyote doesn't originate from any of these classic topologies. The Coyote is a complete replication of the obscure and very difficult to find Moonrock Fuzz by G.S. Wyllie, a reclusive North Carolina builder who sandcast his own enclosures, etched his own boards, and designed a unique fuzz utilizing a transformer in an unconventional way that sounds like nothing else. He never mass-produced them. He passed away in 2014, still building. This is our tribute to Glenn and the wily circuit he left behind.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eONE KNOB. THREE WORLDS.\u003c\/strong\u003e\u003cbr\u003eThe Swell \/ Fuzz \/ Octave control is the heart of this pedal. It sweeps continuously through three distinct zones — each one a different effect.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwell\u003c\/strong\u003e — Notes bloom in with a gated, reverse-tape-like quality. The attack is softened and delayed, rising smoothly instead of hitting all at once. This happens because the final stage of the circuit is allowed to turn on gradually rather than instantly, easing the signal into the stage and creating a natural swell that responds to picking dynamics. We've only ever seen one other pedal attempt this — a thousand-dollar vintage pedal with a dedicated footswitch for it. Glenn built it into a knob sweep.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFuzz\u003c\/strong\u003e — At noon, a fully realized fuzz tone. Not a Fuzz Face. Not a Big Muff. The texture sits in Tone Bender territory — rich low end, aggressive mids, the kind of fuzz that handles chords. Shoegaze. Psychedelic rock. Grown-up fuzz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOctave\u003c\/strong\u003e — When the control is clockwise, the clipping becomes intentionally uneven, shifting the harmonic balance of the signal. Even-order harmonics, especially the second harmonic, rise to the front, creating a strong octave-up character on single notes. This is pure Hendrix territory — and Glenn, who met Jimi several times in Greenwich Village, was always pointing to this sound. He landed on that iconic Hendrix tone perfectly, his own way.\u003cbr\u003eThe transitions between zones are continuous. Explore everything in between.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eWHAT SURPRISED US\u003c\/strong\u003e\u003cbr\u003eRoll back your guitar's volume knob and this pedal transforms. At lower settings on the Swell \/ Fuzz \/ Octave control, the Coyote becomes remarkably touch-sensitive — light picking gives you warm, controlled fuzz while digging in triggers the swell. It cleans up better than any octave fuzz we've ever played. That kind of dynamic response is almost unheard of in this category.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003cbr\u003ePut it first in your chain. Play it into another overdrive or an overdriven amp — that's how almost every iconic octave fuzz tone was created. Clean amps work, but the sound in your head usually has some dirt after the fuzz.\u003cbr\u003eNeck pickup, above the twelfth fret — that's where the octave effect is most pronounced. Humbuckers push the swell and octave harder. Single coils give more clarity. Both sound great.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWHO THIS IS FOR\u003c\/strong\u003e\u003cbr\u003eThis pedal isn't for everyone, and we're good with that. If you love Hendrix, Jack White, Gary Clark Jr., Black Keys, or the octave fuzz on John Mayer's \"Belief\" — you already know you want this. If you're a doom player, a riff rocker, a blues explorer. If you've tried every fuzz on the market and you're still looking for the one you haven't played — you're the Coyote. You're the fuzz scavenger. We found something for you.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTHE BUILDER\u003c\/strong\u003e\u003cbr\u003eGlenn S. Wyllie grew up in New Jersey, learned to read schematics from his electrical-engineer father by age twelve, and built his first fuzz pedal at seventeen after hearing \"Satisfaction.\" He met Jimi Hendrix several times in Greenwich Village during that era — and never stopped chasing that sound.\u003cbr\u003eHe settled in the Appalachian foothills of North Carolina — woodstove heat, a dog named Simon, a Hendrix poster on the door, and metal guitar shapes hanging from the trees in his driveway. He worked at a local music store, played guitar in a band called Muletrain, and built pedals one at a time for anyone who found him.\u003cbr\u003eHis work ended up on recordings and stages with Paul Simon, Bruce Springsteen, Stevie Wonder, David Byrne, Joan Baez, and dozens more — played by NYC guitarist Mark Stewart, who called Glenn an \"unacknowledged American master.\" Glenn should be talked about alongside Mike Fuller, Paul Cochrane, and Dave Barber — the pioneers of boutique. But nobody knows his name.\u003c\/p\u003e\u003cp\u003eWe couldn't find his family to tell them about this project. We tried. He's as elusive in death as he was in life. A true coyote.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eVolume\u003c\/strong\u003e — Controls the output volume. 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Alongside USB-C MIDI, MIDI DIN, sync I\/O, and pedal input, KeyStep 37 mk2 features 4 CV outputs - Pitch, Gate, Mod 1, and the new Mod 2 - all configurable as velocity, aftertouch, mod wheel, and more, ready to control modular\/ hardware gear with expressive precision.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e37‑note Slimkey keyboard with velocity \u0026amp; aftertouch\u2028\u003c\/li\u003e\n\u003cli\u003e2 capacitive touch strips for pitch‑bend \u0026amp; modulation\u2028\u003c\/li\u003e\n\u003cli\u003ePolyphonic step sequencer: up to 64 steps, 8‑voice polyphony\u2028\u003c\/li\u003e\n\u003cli\u003e16‑mode arpeggiator with generative pattern styles\u2028\u003c\/li\u003e\n\u003cli\u003eMutate, Spice \u0026amp; Dice tools for live variation\u2028\u003c\/li\u003e\n\u003cli\u003eChord \u0026amp; Scale modes for instant harmony\u2028\u003c\/li\u003e\n\u003cli\u003eOLED display with clickable encoder \u0026amp; RGB LED feedback\u2028\u003c\/li\u003e\n\u003cli\u003e4 encoders + Control button\u2028\u003c\/li\u003e\n\u003cli\u003eHands-on \u0026amp; mode-aware editing for Seq, Arp, Chord, and Mutate\u2028\u003c\/li\u003e\n\u003cli\u003eMIDI CC button with 4 banks\u2028\u003c\/li\u003e\n\u003cli\u003eAccess 16 assignable MIDI CCs available across all modes\u003c\/li\u003e\n\u003cli\u003e4 controllable CV\/Gate outputs (Pitch, Gate, Mod 1, Mod 2) assignable to velocity, aftertouch, mod wheel \u0026amp; more\u2028\u003c\/li\u003e\n\u003cli\u003eFull‑size MIDI DIN In\/Out + 3.5 mm Sync In\/Out\u2028\u003c\/li\u003e\n\u003cli\u003eSustain \/ expression pedal input (TRS)\u2028\u003c\/li\u003e\n\u003cli\u003eUSB‑C MIDI (class‑compliant) and bus power\u2028\u003c\/li\u003e\n\u003cli\u003ePower switch \u0026amp; Kensington lock slot\u2028\u003c\/li\u003e\n\u003cli\u003eLow‑power operation; iPad® compatible (camera connection kit required)  \u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eIncluded software\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eAnalog Lab Intro (500+ sounds)\u003c\/li\u003e\n\u003cli\u003eAbleton Live Lite\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eBox content\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eKeyStep 37 mk2 unit\u003c\/li\u003e\n\u003cli\u003eUSB-A to USB-C cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arturia","offers":[{"title":"Default Title","offer_id":45479788675181,"sku":"430321","price":29.85,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0723\/2713\/5341\/files\/arturia-keyboards-and-synths-midi-controllers-keyboard-midi-controllers-arturia-keystep-37-mk2-37-key-usb-midi-controller-sequencer-w-aftertouch-arturia-keystep-37-mk2-37-key-usb-midi.jpg?v=1784522576"},{"product_id":"jhs-double-dragon-lo-fi-octave-device-ltopo2","title":"JHS Double Dragon Lo-Fi Octave Device","description":"\u003cp\u003e\u003cstrong\u003eIn a world of perfect digital octaves, we looked backward.\u003c\/strong\u003e\u003cbr\u003eThe Double Dragon Lo-Fi Octave Device is built on shoulders of 40-50 year old analog octave divider technology — the same technology that gave us the MXR Blue Box, DOD Octoplus, the Boss OC-2, Ibanez OT10, Electro Harmonix Micro-Synth, and other circuits that synth designers helped inspire.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePre-DSP. Pre-precision. All analog warmth.\u003c\/strong\u003e\u003cbr\u003ePlay single notes and you have a riff machine. Play a chord and the circuit starts to stutter, jump, and fight itself, making something new. It's not trying to replicate you perfectly — it's trying to play along with you.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eIt's alive!\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTHE SOUND\u003c\/strong\u003e\u003cbr\u003eThe Double Dragon is an all-analog monophonic octave-down and up effect. The lower octave is the foundation — thick, analog, with the characteristic behavior that made vintage octave circuits legendary. The upper octave is pure bonus: an octave-up distortion that lands somewhere between an Octavia and a Superfuzz. Gritty. Usable. With a mid-range sting that cuts through the mix.\u003c\/p\u003e\u003cp\u003eTurn on the Double Dragon and you can't help but start playing riffs. Your guitar feels twice the size. You fill out the space that used to need a band.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA MILESTONE\u003c\/strong\u003e\u003cbr\u003eIn our entire JHS Pedals history, this is our first octave device. We've done octave fuzz but we never landed on a sub octave circuit that felt at home in our brand — until now. Weird, wild, and lo-fi. We're glad we waited to get it right.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWHO’S IT FOR?\u003c\/strong\u003e\u003cbr\u003eFor riff lovers. For anyone who's ever listened to Led Zeppelin and wanted that synchronized guitar-and-bass weight under their fingers. For fans of The White Stripes, Hendrix, and Rage Against The Machine, Muse, Royal Blood. Also — For bass players who know what a vintage OC-2 can do to your basslines. For creative players who want something more than digital precision and clinical accuracy. For people who want a collaborator, not just a tool.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eVOLUME controls the master output level with extra boost available. Turn the octaves off, dry full on, and you have an amazing always-on preamp.\u003c\/li\u003e\n\u003cli\u003eDRY mixes in your clean signal to the octave effects — all the way up is where we suggest you start, all the way down goes fully wet for glitchy vintage synth textures.\u003c\/li\u003e\n\u003cli\u003eOCT− controls the lower sub-octave mix.\u003c\/li\u003e\n\u003cli\u003eOCT+ controls the upper octave and distortion (activated by right footswitch).\u003c\/li\u003e\n\u003cli\u003eLeft footswitch is ON\/OFF. Right footswitch engages OCT+ circuit.\u003c\/li\u003e\n\u003cli\u003eThe main effect must be on for OCT+ to function — it's the way it's designed — not a limitation. 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A legendary amp used by the most exigent players, like Robben Ford, Michael Landau, Joe Bonamassa, John Mayer, and many more. Each amp was tailored specifically for the owner, but they shared a common structure and design philosophy that produced a very special, compressed and punchy characteristic response, that we carefully replicated stage by stage.\u003c\/p\u003e\u003cp\u003eSoundwise, the ODS is an extremely versatile amp, the clean tones are pristine and punchy and at higher levels, the clipping is smooth and fat. The Overdrive channel is silky and every note sings in response to your playing style. But the most impressive thing that we experienced with real Dumbles, was the note recovery rate, a punchy attack with a very long sustain that invites you to hang on to the notes as they ring, varying the harmonic content, getting infinite sustain very easily. 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Note: The Tonestack is defeated when the PAB is activated.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBright Switch\u003c\/strong\u003e: Boosts the high frequencies at lower Clean levels. At full clean level it has no effect.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMid Boost Switch\u003c\/strong\u003e: Boosts the mid and low mid range, producing a full bodied tone, very nice with single coils!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRock\/ Jazz Switch\u003c\/strong\u003e: Changes the behaviour of the tone stack. Rock is a classic FMV tonestack, and Jazz is a Baxandall-James configuration. Jazz mode has less gain, but increased band independence and range.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower amp section\u003c\/strong\u003e: The Dumblifier replicates the nuances of the Dumble power amp design. The clean Level and RATIO volumes set the input gain into the power amp, so you can adjust the power amp compression and drive by setting the Power amp Master Level in conjunction with the Ratio and Clean Level. Higher preamp levels and low master gives more compression and vice versa. The presence controls the amount of mid-hi and high frequencies. It has a wide range in order to adapt the pedal to different types of amplifiers. Turn it down if the amplifier is bright, turn it up if the amp is dark, or using it into the FX return of an amp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo FX loop\u003c\/strong\u003e: The FX loop has a mono send from the amplifier’s output, and a dual return. For mono effects use the left (mono) return.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Reverb\u003c\/strong\u003e: After the FX loop, a stereo reverb effect is applied to the signal. You can control the amount of reverb with the REVERB knob in the front of the pedal, and select 3 types of reverb (Room, Ethereal, and Plate). 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Low output guitars benefit from low boost to get the most of the Dumblifier. Also, on high boost, you can use the clean channel as a crunch channel and clean it up with the guitar volume knob.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eFootswitches\u003c\/strong\u003e:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBYPASS\u003c\/strong\u003e: It bypasses the whole amplifier, except the FX loop and Cabinet simulation (if selected on the TRS outputs). You can still use the effects in the loop while the pedal is bypassed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCHANNEL\u003c\/strong\u003e: Toggles between Overdrive (OD) and Clean (CL) Channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eREV\/PAB\u003c\/strong\u003e: Activates the Reverb or the PAB Boost, depending on the “Switch\u003cbr\u003efunction” selection. 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Think vintage sensibility with modern intent: quiet, rugged, and unmistakably Chicago, whether they’re coiled at your feet or plugged in under the lights at The Empty Bottle.\u003c\/i\u003e\u003c\/p\u003e\u003cp\u003eEvery cable that Divine Noise makes is cut, soldered, and assembled by hand in Portland, Oregon. They use only the highest quality products to ensure that you get the most out of your equipment. Everything from the thick, heavy-duty PVC jacket on their proprietary cables, to the highest quality silver solder to secure components is done to create a reliable, great sounding, high caliber product that you can trust. Thus they give you cables made for the tortures of touring with the assurance of performance.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e20 AWG stranded center conductor, a spiral shield of bare copper providing 95% coverage. 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The ZEQD-Pre is the no-fuss analog solution to all your digital woes.\u003c\/p\u003e\u003cp\u003eThe ZEQD-Pre features a built-in analog cabinet simulation for realistic amp feel during quiet practice sessions to give you the full EF86 tube character without disturbing your housemates. This feature is handily disengaged via the Cab Bypass switch enabling you to send a pure signal to your preferred IR loader or modeling software and making it perfect for direct recording, backline-free gigs, or hybrid rigs with multiple signal paths.\u003c\/p\u003e\u003cp\u003eHit the Boost footswitch and the Three-Band EQ drops out completely, delivering a full-range boost with its own dedicated level control. Two distinct tones at your feet: sculpted EQ tone or wide-open boosted voice. Simple, immediate, and musical.\u003c\/p\u003e\u003cp\u003eThe ZEQD-Pre uses the EF86 pentode—the same tube that gives many Dr. Z amplifiers their pristine hi-fi tone and makes them such responsive pedal platforms. What does that mean for you? It means dynamic and nuanced touch sensitivity, hi-fi full frequency clarity, and an EQ that is both predictable and highly responsive.\u003c\/p\u003e\u003cp\u003eThough designed with guitarists in mind, the ZEQD-Pre’s broad range of EQ voices and tube warmth can enrich the sonic color and harmonic content of just about anything you can think of plugging into it, including, but not limited to, bass, synths, keys, drums, vocals, and microphones.\u003c\/p\u003e\u003cp\u003eEach ZEQD-Pre is built by one sophisticated droid and many kind-hearted flesh and blood artisans in the tropical metropolis of Akron, Ohio USA.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eActivate Foot Switch\u003c\/strong\u003e: This activates or bypasses the ZEQD-Pre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBoost Foot Switch\u003c\/strong\u003e: This defeats the tone controls and delivers a full range boost without altering the frequency response. This switch is only active when the Activate switch is on.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBass\u003c\/strong\u003e: Adjusts frequencies from 20Hz-400Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMiddle\u003c\/strong\u003e: Adjusts frequencies from 400Hz-2KHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTreble\u003c\/strong\u003e: Adjusts Frequencies from 2KHz-20KHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel\u003c\/strong\u003e: Output volume control when the tone controls are active\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBoost\u003c\/strong\u003e: Output volume control for when the Boost is active and the tone controls are bypassed.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGround Lift (On Side)\u003c\/strong\u003e: Press for ground lift on the XLR output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCab Bypass (On Side):\u003c\/strong\u003e Press to remove the analog cabinet simulation on the XLR out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone Out (On Side)\u003c\/strong\u003e: TRS ¼”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Out (On Side)\u003c\/strong\u003e: Balanced XLR\u003c\/li\u003e\n\u003cli\u003eLifetime Warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":45479898087533,"sku":"EQDZEQDV1USACME","price":59.85,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0723\/2713\/5341\/files\/earthquaker-devices-effects-and-pedals-overdrive-and-boost-earthquaker-devices-zeqd-pre-tube-preamp-pedal-goldtastic-earthquaker-devices-zeqd-pre-tube-preamp-pedal-goldtastic-eqdzeqdv.jpg?v=1784525522"},{"product_id":"cme-logo-coffee-mug-11oz-black-gqvvjd","title":"CME Logo Coffee Mug 11oz Black","description":"\u003cp\u003eClean, classic, and built for the long haul. 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You are looking at a portal to one of the most revered and mystical circuits in the pantheon of guitar effects - the classic three-transistor TB MkII. The Barrows pays homage to this iconic germanium temple while adding modern refinements that would make even the most discerning vintage purist weep tears of harmonic joy.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003eThe original MkII circuit was the secret weapon behind some of the most crushing riffs ever committed to tape. From dawn-of-metal caveman dirges to the wall-of-sound symphonies conjured by the highest tiers of shoegaze sorcerers, this legendary topology has been the foundation of countless sonic monuments. Now, with Barrows, you can channel that same lightning-in-a-bottle magic while enjoying the reliability and versatility that modern craftsmanship provides.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003eAt its heart, Barrows features a trio of carefully matched germanium transistors nestled within finely tuned circuitry that has been lovingly coaxed to produce everything from light, singing distortion to crushing fuzz tones with nearly infinite harmonic-rich sustain. This isn't just another fuzz box - it's a portal to the fabled tones that have haunted the dreams of fuzz fanatics for decades.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003eThe Barrows delivers the signature cutting mid-focused tones with plenty of low-end authority and brilliant top-end grind that made the original MkII a studio legend. But unlike its temperamental ancestors, Barrows includes several modern upgrades that transform it from a vintage curiosity into a contemporary powerhouse.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003eThe phase-corrected and buffered output ensures it plays nice with other pedals down the line, while the increased output volume and wide range of fuzz tones make it a versatile sonic weapon. All this power is packed into a compact footprint that saves precious real estate on your pedalboard, because every square inch matters when you're building your sonic arsenal.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003eGone are the days of finicky positive ground power requirements and battery-only operation. The Barrows runs on standard 9v power supplies, making it compatible with any common pedalboard power source. The true bypass switching ensures your signal remains pristine when the pedal is disengaged, while the MkII circuit works its germanium magic when called upon.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003e\u003cstrong style=\"\"\u003eControls\u003c\/strong\u003e\u003cbr\u003eThe Barrows features two elegantly simple controls that unlock a universe of fuzz possibilities:\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003e\u003cstrong style=\"\"\u003eLevel\u003c\/strong\u003e - Controls the output volume of the Barrows. Unity gain sits around noon, but you'll find plenty of volume boost available when you need to push your amplifier into blissful submission.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003e\u003cstrong style=\"\"\u003eAttack\u003c\/strong\u003e - This is where the magic happens. At lower settings, Barrows provides singing, amp-like distortion with superb touch sensitivity. As you rotate clockwise, the circuit transforms into an increasingly aggressive fuzz monster, building to crushing, sustain-drenched tones that seem to go on forever. The wide range of this control means you can find everything from gentle breakup to full-on sonic annihilation.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003eEach Barrows is lovingly assembled by shrimply the best helmspeople (and one obedient robot) on the high seas of Akron, Ohio, USA.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003e\u003cstrong style=\"\"\u003ePro Tips\u003c\/strong\u003e\u003cbr\u003eFor best results, place this pedal first in the signal chain. Like most classic fuzz circuits, Barrows has a very low input impedance and works best when it sees the guitar directly at its input. Do not place a buffer before the Barrows.\u003c\/p\u003e\u003cp style=\"\" sans helvetica sans-serif\u003eThe Barrows responds beautifully to your playing dynamics and guitar's volume control. 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